Clarita begins at the beginning, with a chaotic and promiscuous world. Her first exhibition is a seed, a small chaos looking for balance between primitive and western painting, between symbols and artistic values, between white and black in Cuban culture.

It is painting with a will, despite the obstacles, shortages of material and space, rudimentary training, and the need for expression.

A struggle with material that resists and submits; violent, chaotic, elemental painting.

Edmundo Desnoes, 1969


I love Clara Morera’s painting, which is violent and innovative, lyrical and mysterious. It clearly shows African cosmogonies, where she alternates the vitality and the presence of the early times.

Aimé Césaire, 1969

web design: Los Fieras

proyecto y curaduría:/project concept and curator: Alejandro de la Fuente

Agradecemos a la Fundación Ford por su apoyo para este proyecto /

/ Thanks to Ford Foundation for their support for this project"